As the name suggests, the choreographer worked on the accumulation process. In the idea of a cycle, the two elongated bodies, almost immobile, begin to come to life in a very slow rotational movement. Speed increases, gestures are born, grow, develop. Stronger, bigger, faster, the circles are more and more drawn, in the body, the gesture, the space, the choreography. The directions multiply, the trajectories are more and more complex, the variations are more and more nourished by their evolving body states. From calm to trance, from licking to dirty, from walking to a beastly state, the dancers get up, draw, draw closer, separate before returning to the starting point. A whirlwind of accumulations for a poetic piece!